Colonizing Other Planets Not as Much Fun as You Think #review #scifi #books #amreading #sciencefiction #bookreview

The master of terraforming Mars sends colonists to a distant star system in Aurora. With his trademark attention to detail, the first quarter of Kim Stanley Robinson’s book takes you on a tour of the large rotating spaceship. The main character, Freya, travels through the biomes and towns, talking with most of the two thousand residents.

Freya is aboard a generational spaceship nearing the end of its 170 year voyage, and things are going subtly wrong with the ship and the humans onboard. People chaff under the discipline required to keep systems in balance – Robinson is as interested in the psychological aspects of the mission as he is in the technology. If you wonder what life onboard a generational ship might be like, this section of the book is for you.

They arrive at their destination and landing parties prepare buildings and greenhouses for the entire ship’s complement, but things go terribly wrong. Half way through there’s a twist I wasn’t expecting and the mission takes an unexpected turn.

Most of the book is narrated by the ship’s artificial intelligence which gives the story a somewhat cold feeling. The ship also muses on human language and – instructed by the chief engineer to prepare a narrative summary of the final part of their voyage – frets over the use of metaphors which it finds to be imprecise.

While Robinson has been described as “a novelist who looks ahead with optimism,” Aurora is deeply pessimistic regarding human beings and their technologies. The settlers suffer frustrating slow-motion disasters that they never completely understand and their society breaks down into battling factions.

This is not a book to read in a rush – I could only read for short periods of time in a sitting. Take it on vacation – it’ll last all week.

What others are saying
Aurora earns a respectable 3.5 stars from 635 customer reviews on Amazon, and places in the top 2% of Amazon’s sellers’ ranking for Hard Science Fiction. I wish I did as well with my novels.

Readers who liked Aurora called it “sad but greatly satisfying” and “awesome and depressing.” Those who didn’t found it “long winded” and “repetitive.” Robinson isn’t everyone’s cup of tea – but no author is.

I’ve read a few of Robinson’s books and notice he likes the names Aurora and Pauline – and likes to point out that verbal metaphors can’t explain the physical world like math can. It’s fun to notice an author’s little quirks.

The quote above, “a novelist who looks ahead with optimism,” comes from the dust jacket of Robinson’s Galileo’s Dreams.

For my own vision of the first colony on Mars, visit Amazon, Barnes & Noble, iTunes, Kobo, and other major online retailers. You’ll also find paperbacks at Create Space and all major digital formats at Smashwords. Start with Glory on Mars. Read one today.

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Interstellar Colonization or Soap Opera? #scifi #space #book #interstellar #star

arkwrightArkwright – the name of a pivotal character and a wonderful title – is a story based on interstellar travel that is rooted in real physics, limited by the speed of light. No warp drives here. Author Allen Steele divides the story into four “books” plus one “interlude,” each separated by at least a generation. While the interstellar project spans the whole story, each “book” stands alone.

Book One, the first third of the story, follows a science fiction writer who gets rich and uses his money to create a private foundation dedicated to interstellar travel. This section is set in the world of 20th century scifi, though it could really be set in another industry, and – considering the money the writer must accumulate – probably should be. If you read classic scifi the name-dropping will be fun, but the famous names are only part of the backdrop.

The characters’ various relationship issues are featured but don’t follow through the entire story.

My favorite quote comes from a character complaining about science fiction stories.

Everyone who writes about space travel gets it wrong… the people who write it either pay no attention to science or simply get it wrong…if you want to distinguish yourself from all the other fellows who are writing science fiction… get the science right.

Steele embraces this advice and offers his fascinating premise for getting space travel right. It’s a grand idea backed up with awesome technology, which I won’t spoil here. This doesn’t mean the rest of the story’s science is ho-hum. Robotics, artificial intelligence, and especially bioengineering and terraforming exceed our current abilities, but don’t seem to violate getting the science right. There’s even a bibliography if you’d like to check for yourself.

Relationships and hook-ups are featured (Sex mostly occurs “off-screen”)
Given Steele’s nod to the early 20th century’s Golden Age of scifi, which is often considered short on characterization, it seems odd that he spends most of his writing on relationships. Discussions of the starship are fairly short and often feel incidental. This seems doubly odd since the book’s description calls Steele a “highly regarded expert on space travel and exploration.” I would have liked more from his expertise.

If you’re keen to follow the starship plot, you can skip Book One and Book Three. There’s enough recap in the other sections that you won’t miss anything – perhaps this reflects the story’s beginnings as a serial.

Steele has a habit of shifting back and forth in time as he writes, using flashbacks or a structure where a character tells you the outcome and then goes back to relate the events. I got used to the style easily enough. It does result in characters “telling” their story which is a supposed no-no for modern fiction where “show, don’t tell” is the writing tip.

What others say
Arkwright has an Amazon Sellers Rank in the top 16% of its category of Hard Science Fiction – that’s a popular book. There are 65 customer reviews that average 3 1/2 stars – not bad. Complaints reflect my review – too much soap opera instead of the starship promised in the description.

Even reviewers giving the book 5 stars note that the “science fiction doesn’t start until well into the book,” but if they liked the cross-generational family dramas, they liked the book.

What is Hard Science Fiction?
Since both fans and critics notice the emphasis on relationships, it makes me wonder about the Hard Science Fiction category. Certainly the notion that hard science fiction is mostly about detailed technology is wrong. How many technical terms must authors throw in – or replace with common English – to gain or shed the category?

In my own series about a colony on Mars, I try to get the scienceGLORY Ebook 300 dpi (200x300) right. Settlers have technical training to keep their life support equipment and robotics operating (the robots are rather cool if I do say so myself). Some have relevant university degrees, but they’re people, not walking technical manuals. Their mission is more like the real-life Mars One and less like NASA. They face danger, have conflicts, and explore the Red Planet as they try to build a home on Mars. Some of my readers today may step foot on Mars tomorrow – or morrowsol as Martians say – and will be able to tell me how well I did.

Reviewers who have commented on categories, though, call Glory on Mars hard science fiction, so I followed their lead and added that category on Amazon.

Glory on Mars and Born on Mars are available now. The third book will be out later in 2016.

Subscribe to my readers’ club and I’ll keep you posted on my progress.

Check out Glory and Born, post reviews, and let me know: are they hard science fiction?