I was enthralled with the first quarter of this long novel, The Rise and Fall of D.O.D.O. Physics and magic intersect wonderfully when an expert in ancient languages, Melisande Stokes, is hired by a man representing DODO. DODO is “a shadowy government entity you’ve never heard of.” It turns out he’s telling the truth, which gives you an idea of the irreverent tone through much of the book.
The DODO team uses time travel to change the present for shadowy government purposes. Witches once used magic everywhere in the world, until science jammed its frequencies and it disappeared in 1851. But liquid-helium cooled quantum equipment can produce a small room where magic still works. The interplay between magic and physics, as well as with the physicist and witch who join the team, are fun. Not fun for all the characters, though, who quickly learn that it’s not healthy to be rude to a witch.
Melisande narrates from the past, from last few days when magic worked. A mission gone awry stranded her in Victorian London. Throughout the story, she occasionally reminds us that she misses modern toothpaste, that corsets are terribly uncomfortable, and she’s about to be trapped forever as the end of magic approaches.
Melisande took DODO’s first trip backwards in time. To raise money for the project, she plans to steal a book from colonial America that will become rare and valuable in the present. Unfortunately, a witch can only Send a person’s natural organic body (even fillings from teeth are left behind) so Melisande arrives naked and must hide the book so it survives for centuries to be retrieved “today.”
The mission depends on help from a local witch (there’s still magic in colonial times) and Melisande discovers that, when all you take with you is your naked body, all you have to trade with the locals is information (classified!) or sex. There’s quite a bit of sex as the story progresses, though not pornographically detailed.
After a harrowing trip, Melisande returns to discover… nothing where she hid the book. The modern witch explains she must change history on multiple Strands before the present changes. Stands are closely aligned alternative realities that communicate among themselves somehow. Melisande must repeat her adventure several times, and each trip is slightly different. A neat confluence of magic and physics that will probably drive any real-life theoretical physicist crazy. But I liked it.
Starting with the next mission into the past, the book slows down. Events and conversations are explained step by step in more detail than I wanted to read. The book is written entirely as the journals, letters, emails, and files of the characters, so redundancies and tangents creep in. I began to skim. I entirely skipped some sections, such as the Human Resource files on DODO’s new-hires (honestly, such things are included.)
The DODO team grows and there are several missions to different eras. Some will probably intrigue you enough to read every word. Did you know Shakespeare’s plays are anti-Irish? Everyone at the time saw that even though we moderns no longer do. This feels like a detail the authors turned up in their research, though I didn’t check to confirm.
The bureaucracy of DODO is equally detailed. ISO 9000 standards are mentioned, and if you don’t know what those are, you’re obviously not a Quality Assurance geek. With such details, I found it odd that the authors don’t seem to know what Power Point presentations look like. Long wall-of-words paragraphs do not fit on Power Point slides.
I enjoyed the story as pruned by my skimming technique, and read eagerly to the end. The last few pages set up for a sequel, although there isn’t one available yet.
What others are saying
Amazon posts 416 reviews for 3.8 stars, and the sales ranking of DODO is phenomenal.
“Lots of intrigue, science, and laughs.”
“Fun in the use of acronyms and parody of bureaucracy. Unpredictable development of villains.”
“Farcical sendup of the classic time travel trope, complete with witches, sword fighters, and physicists.”
Readers who didn’t like it ran aground in the middle.
“Gets stuck in the middle. Listening to the audiobook, nothing happens for hours.”